Poetix

Five Sonnets (“The New Bungledom”, “Bulgarian Night”, “Let’s Get Enchiladas”, “Bywater Boho”, “Down River”) from “Stumbles & Surges (100 sonnets by Rodrigo Toscano)” (Action Spectacle).

Five Sonnets (“Weirdos”, “The Big Outside”, “What the Goth told Us”, “Street Poet” “Brand New Ode”) from “Stumbles & Surges” (Blood + Honey).

Two Sonnets (“Routines”, “Novella 14”) from “Stumbles & Surges (100 sonnets by Rodrigo Toscano) (Good Life Review)

“One Like” from “Stumbles & Surges (100 sonnets by Rodrigo Toscano)

Three sonnets (“Passin’ Through”, “Headlines”, “The Series”) from “Stumbles & Surges (100 sonnets by Rodrigo Toscano)” (Noir Sauna)

“Happy Campus” from WHITMAN. CANNONBALL. PUEBLA. (Poetry Magazine)

“Habilitas” (poem-a-day feature)

“Habilitas” (Tupelo Quarterly, TQ32 Prize, Finalist)

“Golf Cart” from WHITMAN.CANNONBALL.PUEBLA (Georgia Review)

“Antarctica” “Tlaloc in Iceland” from WHITMAN.CANNONBALL.PUEBLA. (Mercury Firs)

“Pax Americana” from WHITMAN. CANNONBALL. PUEBLA. (Timber Journal, Pushcart nomination)

“Capitán Peachy” from WHITMAN. CANNONBALL. PUEBLA. (Action Spectacle)

“O Monterrey” from WHITMAN.CANNONBALL.PUEBLA (Latin@ Literatures)

“Prophets & Motels” “Perturbutron 500” “Ten Coalitions Twenty Parties” “Two Maestro Bards” from WHITMAN.CANNONBALL.PUEBLA. (DIAGRAM)

“Livewires & Duds” “Chatty Cholula” from WHITMAN. CANNONBALL. PUEBLA (Bear Review)

“Systems vs. Isolates” (uncollected) (Washington Square Review)

“Warlocks of War” (uncollected) (Rise Up Review)

“Sapeurs and Cobalt” from The Cut Point (Protean Magazine)

“Civilizational” from The Cut Point (Fence)

“The Scene” from The Cut Point (Nat. But)

“The Cut Point” “Feel-Serf” from The Cut Point (Annulet)

“Magnolias” from The Cut Point (Caustic Frolic)

Five Sonnets: “Full Haunt” ”Phoebus Apollo” “Big Thud” “An American Sonnet” “Freedom” from The Cut Point (Tupelo Quarterly)

“Orpheus of Pensacola” from The Cut Point (Action Books Blog)

“Endless Summer Nola” “American Poetry Quarterly” from The Cut Point (Dream Pop)

Cruisin’, Jammin’ (or, He’s a Bitch) from The Cut Point (Action Spectacle)

“Tankards between palms”, “Der Krieg ist gefallen”, “Post-Colonial”, “Dasein” from The Cut Point (Three Fold Press)

“Layover in America” from The Cut Point (Dialogist)

“Songsters” “Frisky-Frightened” “21st Century Odyssey” “The Left & The Right” from The Cut Point (Posit Journal)

“Special Watch” “Tombstone” from The Cut Point (Trampoline Poetry)

“Linemen” from The Cut Point (Antigravity)

“Flight Plan” from The Cut Point (St. Mark’s Poetry Project Newsletter)

“Intermezzi Americani” “Port of Entry” from The Cut Point (SKHEMA, Brazil)

“Hush Now (Speak)” from The Cut Point (Acentos Review)

“Männerbünde” “Entertainers” from The Charm & The Dread (LitHub)

“Betimes” from The Charm & The Dread (Air/Light)

“Thing & Thang” from The Charm & The Dread (Antiphony Journal).

“The Revolution” from The Charm & The Dread (Yale Review)

“The Zone” from The Charm & The Dread (Protean Magazine)

Four Sonnets: “Compulsory Conviction” “Swap Out” “Whittlers” “Gadget” from The Charm & The Dread (Action Spectacle)

Four Sonnets: “Insurrectionary” “Flesh” “Miasma” “Maskers” from The Charm & The Dread (Nonsite.org)

“Clarity” from The Charm & The Dread (Another Chicago Magazine)

Sonnet: “Eye of The Storm” from The Charm & The Dread (Sixth Finch)

“Homo Americanus” from The Charm & The Dread (Poetry Northwest)

“Write The City” from The Charm & The Dread (Harvard Review)

“Brown Lives” from The Charm & The Dread (The Brooklyn Rail)

Title poem from The Charm & The Dread (Tilted House)

“Huddle” from The Charm & The Dread (Harp & Altar)

“Barricades” “Thing & Thang” from The Charm & The Dread (Blackout, Germany)

“The Peopling” from The Charm & The Dread (Burningword Literary Journal)

“Litigators” from The Charm & The Dread (Fence Magazine)

“Clouds and Us” from The Charm & The Dread (Gulf Coast Journal)

“July 4th, 2021” from The Charm & The Dread (Rugarou)

“Free-Form Hollerin’ at the Conference (in syllabics)” from The Charm & The Dread (Tilted House)

“Miasma”, “Clarity”, “Maskers” from The Charm & The Dread (Exquisite Pandemic)

“Litigators” and “Blank Page (aka world opinion)” from The Charm & The Dread (Action Spectacle)

Two Sonnets (“The Mounds”, “Destinations of Things”) from The Charm & The Dread (Plumwood Mountain)

“Orphan Poem” “Chillaxer” “Zoom Reader” “Socialist War Plan” from The Charm & The Dread (Apartment Poetry)

“Mundus” from The Charm & The Dread (Amtrak Station Poetry)

“The Tango” “Latinx Poet” “1519 Arrivista” from The Charm & The Dread (Acentos Review)

“Blank Pad”, “Gas powered blower”, “Lawn Mower”, “Security Cams” “Crammed Pad” from In Range (Old Pal Magazine)

Five sections from Explosion Rocks Springfield (Harvard Advocate)

Five sections from Explosion Rocks Springfield (Pen America)

“May Be!” [uncollected] (Poetry Society of America)

“Four Reflections on Content and Form” [uncollected] [text & sound] (Red Ogre Review)

“PUEDE ¡SER!” (Spanish)

“Dos Encuentros” (Spanish) (Punt Volta)

“Infra-Realisticamente” (Spanish) (Latino Literatures)

“La Proletaria” from Deck of Deeds (GAS Poetry)

Seven prose poetry pieces from Deck of Deeds (Brooklyn Rail)

“El Organismo” from Deck of Deeds (X-R-A-Y)

Six prose poetry pieces from Deck of Deeds (Big Bridge)

“Inaguracíon” from Globo-Exilio-Ejercito; 10 pieces from Deck of Deeds (three Spanish translations by Mara Pastor) (Poetas Siglo XXI, Antologia Mundial)

Deck of Deeds [whole book] (Counterpath, 2013)

“Truax Inimical” {a masque for four voices} from Collapsible Poetics Theater (Jacket Magazine)

“Eco-Strato-Static” {a poetry radio play in one act} from Collapsible Poetics Theater (UPENN)

“Balm To Bilk” {for two voices} from Collapsible Poetics Theater (UPENN)

“Humana Ante Oculos” {anti-masque for three players”} from Collapsible Poetics Theater (Coconut Magazine)

“Memories of Somewhere (To Somewhere Else)” from Collapsible Poetics Theater (UPENN)

“Clock 1” {performative module from “Clock, Deck, and Movement” from Collapsible Poetics Theater (Rollins University)

“BMP’s” (Body-Movement Parameters) from Collapsible Poetics Theater (Rollins University)

Collapsible Poetics Theater [whole book] (Fence, 2008)

“Improvised Poetic Device (IPD)” (uncollected)

“Affekt Funereal / Affekt Jamboree” from Platform (Georgetown)

“Il pensenroso” [italian, uncollected] (Gammm International)

“Relay, Alpha, Bravo, Charlie” from To Leveling Swerve (Tarpaulin Sky)

“Writing” and “The Need Gene” from To Leveling Swerve (Dusie)

“62 unità di prosa scritte da malato” (Italian) from To Leveling Swerve

To Leveling Swerve [whole book] (Krupskaya, 2004)

“Fourteen Superimposed Pockets of Formally Unified Subjectivity as Mass-Aggregate Social Subject, or Politesse Politique, or, Monologue of the ‘Free Radical’” from Platform (Brooklyn Poets)

“Satire No. 1” (German) from Platform

“About The Amadou Diallo Police Shooting” (from Platform)

“Blue-Green Superfund Roundelay” (from Platform)

“Present Perfect Progressive” from Partisans (O Books)

“Premise No. 1” from The Disparities (East Village Magazine)

“Circular No. 7” from The Disparities (East Village Magazine)

Exilio-Globo-Ejercito (chapbook, Slack Buddha, 2009) (in Spanish, translated into English by RT)

Inauguración (Spanish) from Globo-Exilio-Ejercito

“Fragment 2000”, “And yet another incipient form or face, venal left or co-optated rump of the WTO, NGO-ite operative’s proclamation — baldly – put” (circa 1998, Tripwire Magazine)

Partisans [whole book] (O Books, 1999)

The Disparities [whole book] (Green Integer, 2002)